New PDF release: 100 Fresh and Fun Handmade Cards: Easy-to-Follow

Art

By Kimber McGray

This name good points step by step directions for a hundred lovable card making tasks, ideal for even if you're crafting a last-minute birthday card or trying to stretch your papercraft abilities with an all-occasion 'anytime' card. With 50 easy playing cards and one other 50 playing cards with an interactive or dimensional function, there are many strategies regardless of how skilled you're or regardless of how a lot time you should spend. step by step pictures may also help readers paintings via all of the difficult bits to create really memorable playing cards with swivels, pop-ups, spinners, shakers, sliders and extra for birthdays, vacations, celebrations and no cause in any respect.

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Additional info for 100 Fresh and Fun Handmade Cards: Easy-to-Follow Instructions for 50 New Designs and 50 Amazing Alternatives

Example text

As to give The head of the Christ Child instinctive feeling for the work of art ghostly drawings made are, in fact, quite a great masterpieces to come. arm and hand human in his old age, when number of elements The muscular back The Madonna is Sibyls of the Sistine Ceiling but of the Medici pear, held by nude youths in the as the his a deceptive suggesif w ork had T in. prime determinant of a extreme youth to the work which pencil. foreshadow- the of the Child and the peculiar twist of His in the Medici Chapel (color- herself a prototype not only of certain of the Madonna (figs.

Perhaps Martin Luther would have complain about; and perhaps the Spanish in the South would have gone the of the French. At any way and the beginning of the Lateran Council, rate, dead or alive, the or another from the mighty Ligurian was moment to dominate Michelangelo's the thirty-year-old sculptor was called to life Rome in in one 1505 to 26 ' V 4 / . , 1 i ii X— : i v> 1 - -*M&^i& ~ s ^— u "-;. -- ..... L s i5. c. GIACOMO ROCCHETTI. 1505. Ink, 20% x 13%". design the Pope's artist, calls now State Copy of Michelangelo's design for Museums, tomb on an unprecedented The Rome St.

The lost statue a hole in the wall of San be smashed on the stones below. may possibly have borne some relation to Michel- angelo's ideas for the statues on the second level of the 1505 version of the 17; see We the destruction of the bronze. since the Pope did not grow tion of this colossal sance. and The bronze his David, it Of course as one of the major artistic losses 1 508, to October, 1 5 12, during which the great sculptor by no means lost to sculpture. For at last in fresco the ceiling of he had a chance to try out his ideas on the interrelation of architecture (simulated in this case) (fig.

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