Download e-book for iPad: All Our Worldly Goods by Irène Némirovsky
By Irène Némirovsky
In haunting methods this glorious, compelling novel prefigures Suite Française and a few of the topics of Némirovsky's nice unfinished series of novels. All Our Worldly items, notwithstanding, is entire, and exquisitely so -- an ideal novel in its personal correct. First released in France in 1947, after the author's dying, it's a gripping tale of relations lifestyles and big name crossed fans, of cash and greed, set opposed to the backdrop of France from 1911 to 1940 among bad wars. Pierre and Agnès marry for romance opposed to the desires of his mom and dad and the kin patriarch, the tyrannical industrialist Julien Hardelot, upsetting a family members feud which cascades down the generations. this is often Balzac or The Forsyte Saga on a smaller, extra intimate scale, the bourgeoisie saw close-up with Némirovsky's traditionally sly humour and clear-eyed compassion. packed with drama and heartbreak, telling remark of the devastating results of 2 wars on a small city and an business family members, this is often Némirovsky on the peak of her powers. The exodus and circulate of refugee humanity throughout the city in either wars foreshadows Suite Française, yet otherwise, simply because this can be Northern France, close to the Somme, and the city itself is two times razed. Taut, evocative and wonderfully paced, the radical issues up with heartbreaking aspect and readability how shut have been these wars, how heritage repeated itself, tragically, shockingly... It opens within the Edwardian period, on a modern Normandy seashore, and ends with a replaced global, less than Nazi profession.
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Additional info for All Our Worldly Goods
And, which is most to bee pittied, they are commonly the best wits, and purest receptacles of sound knowledge, that are thus corrupted. Whether it be, that they are more eagerly assaulted with vice then others; or whether they doe more easily admit any obuious impression: howeuer it be; fit it is, That all young Trauellers should receiue an Antidot against the infectious Ayre of other Countries. (A3v–A6) Edward Leigh likewise criticises the traveller who returns ‘leavened with the ill Customes and Manners of the Countries they passed through’ (Bv) and Robert Dallington cautions his travelling reader about the cultural hazards of travel: The hazards are two: of the minde, and of the body: that, by the infection of errors; this by the corruption of manners.
Cosmographie, or, the description of the worlde. Astronomie, or, the art of skill, in the course of the starres and planets. Geographie, or, the drawing and proportioning of the earth. Chorographie, or, the demonstration of Cities and Regions. Topographie, or, the protraiture [sic] of particular places. Husbandrie. Nauigation. The Politicall The Ecclesiasticall Literature. Histories. Chronicles. (Meyer B) As Louis B. Wright observed, Meyer’s ‘was not a guidebook but a syllabus of points to be observed.
Importantly, it has little practical utility; it is as idle a pursuit as playgoing, and equally unprofitable if one were to take a pragmatic stance. Yet like the theatre, there was demand for this aesthetic experience. In the final section, I ask how this experience of mind-travelling translates into the realm of the theatre, for it is evident that solitary imaginative rehearsals of reported travels, when experienced from the comfort of one’s room and under cover of darkness, will not necessarily operate in the same manner in the context of a crowded playhouse in broad daylight.