Art, Design and Visual Culture: An Introduction - download pdf or read online
By Malcolm Barnard
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Extra info for Art, Design and Visual Culture: An Introduction
It is simply that it creates cultural groups by means of highly designed, mass-produced items which are consumed by being purchased. It is financial capital, rather than what Bourdieu calls cultural capital, which enables these people to participate in and enjoy these objects. 50, some products are exclusive and others are not; it is not that there is ever only one of these products. There is no presupposition that culture has to consist in a series of one-off products, as in Clark's account. That there is nothing in Sudjic 's collection that might be called art might be considered a weakness, as far as this chapter is concerned.
In his discussion of de Troy's painting La Lecture de Moliere, for example, he says that although he has 'tried to go beyond the narrower meaning of the word civilised ... one can't deny that the de Troy is a picture of civilised life' (1969: 250). Indeed, it is. In the painting, seven aristocrats sit comfortably on superbly upholstered and luxurious furniture, dressed in the latest velvets, silks and embroidered satins, whilst being read to by a character in a huge bow tie, embroidered lapels and lace cuffs.
The people in Streetstyle are more often than not actively producing 28 Art, Design and Visual Culture culture and cultural artefacts, rather than consuming those artefacts, as in Clark's and Sudjic's versions of culture. seen in Ill. 2. And, even if it is, it has often been 'customised' in some way, as Desmond Dekker 'customised' the suit bought for him by his record company (Polhemus 1994: 59). Punk is probably the best-known and most exhaustively documented way in which alternative, oppositional styles, materials and modes of adornment were created and adopted.