Artists & Illustrators [UK] (July 2016) - download pdf or read online
Assessment: Artists & Illustrators is the UK’s best-selling paintings journal. Written for artists and artwork fans, delivering functional recommendation for a way to color and supplying idea each factor. released for nearly 25 years, every one factor of Artists & Illustrators journal features a vibrant palette of useful principles, specialist technical recommendation and necessary paintings fabrics exams. even if you favour oils, acrylics or watercolours, photos or landscapes, summary artwork or botanical representation, Artists & Illustrators journal brings a fresh mix of creativity and recommendation each 4 weeks in the course of the year.
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Additional resources for Artists & Illustrators [UK] (July 2016)
It is harder to see a landscape than to paint it. ” Learning how to ‘simplify’, as Henri suggests, is not as easy as it sounds. It requires creative distillation, extracting the most basic elements of the landscape and organising them into a coherent whole. Great art is not merely made by description and it isn’t enough to go into the landscape and set up an easel. One needs to really get ‘under the skin’ of the place, learning something of its people, its culture and its history. 32 Artists & Illustrators Are we the best painting holiday?
Recording these colour reflections will give a strong sense of spatial unity to your work. Artists & Illustrators 63 The light in the landscape changes quickly – how can I keep things consistent across the entire painting? Find a comfortable size to work on that will allow rapid re-painting; too big and you won’t keep up with changes, too small and you’ll feel clumsy and cramped. A lot of the legwork is done on the palette. Have a big enough surface to mix on and don’t be too mean with the amount of colour you squeeze out.
It does in a way, but one feeds into the other. Sometimes I’ll go out and do drawings, then I’ll come back and do prints, then I’ll do paintings from the prints, then I might do prints from the paintings! How important is sketching to you now? I’ve always done it and I always will… I use mixed media. So they are not sketches, they are really mixed media studies. I am out there and I record something, whether it’s a ruined building or window… The sketches give me the structure within which to work, it’s the template, the game plan.