Download PDF by Uderzo Goscinny: Asterix En Hispania

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By Uderzo Goscinny

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In addition to the general trends for each period, I do read specific representative pages for deeper meanings when of particular relevance. I focus on whether the images support the narrative or problematize it, and the manner in which the dialogue is placed into question. This is particularly important when the concern is with the certainty with which cultural values are articulated. These tighter, more specific readings are also more vulnerable to personal biases. This cannot be avoided, and I hope to convince the reader of my interpretation based on the broader context in which these readings are nested.

S. Congressional investigation into comic books in the 1950s. The Comics Code was still strong in the 1960s and limited the ability of comics to challenge the mainstream consensus directly. Thus the attempt to maintain a pro-Cold War consensus had infiltrated comic books and would be reflected in the story lines of the 1960s. Unsurprisingly, the stories of this period tend to reflect the American consensus, asserting that the major threats came from outside the United States, generally in the form of communist plans for world domination.

Using the discussion in the first chapter as a baseline, subsequent chapters analyze the changing portrayal of identity in the various superhero comics, following the periodization described above. Chapter 2 begins in the early 1960s with an America characterized by the ferment of growing disillusion with the national security state spawned by the Cold War and a desire to maintain a notion of national consensus and normalcy in the face of continued threats from communists. S. Congressional investigation into comic books in the 1950s.

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