New PDF release: Basics: Architecture and Dynamics

Decorative Arts Design

By Franziska Ullmann

What components represent house? What s a solitaire and what makes a solitaire a monument? Why is a construction profane and what makes an area a sacred house? Why appear Zaha Hadid s constructions to be dynamic constructions? those and plenty of different matters are addressed in "Basics". In an instantaneous war of words of textual content and photographs of foreign constructions, that means and influence of easy architectural parts are studied either discretely and inside compounds ranging from Wassily Kandinsky s visible arts comparable research "Point and Line to Plane". Transferred on typical and synthetic gadgets, the impact of those components isn't really based at the exterior visual appeal yet fairly at the pressure inherent to varieties. therefore, the 2d version of this commonplace booklet is now to be had in English. it's been revised and a foreword by means of structure theorist Otto Kapfinger further.

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Example text

If we imagine widening this string, the result is a ribbon or strip. Trails or paths as examples clearly illustrate the characteristic features of linear architectural elements. Natural We can find linear elements in nature in the form of rivers and valleys. The constant movement of the water defines a linear, sometimes branching, track in the landscape. Artificial Paths as linear elements facilitate movement and serve to connect two places. path Point Line Plane Space F. Ullman, Basics © Springer-Verlag/Wien 2011 Page 54 Page 55 Guide – Track – Path.

Paul Klee’s definition confirms that a point in a state of tension in respect to a second point will generate a line. This phenomenon plays an important role in our perception and gives rise to imaginary lines. tension The arrangement of imaginary axes can be applied as a system of ordering and reference in architecture and urban planning. Pope Sixtus V and his architect Domenico Fontana erected obelisks in Rome at important sacred sites, emphasizing individual points in the urban fabric in such way that the viewer perceived a relationship between the point-elements.

According to them, line formation is based on two principles of dynamic forces: movement and tension. In both cases we can differentiate between two types of lines: straight lines and free-form or curved lines. Kandinsky uses rigid lines to characterize inorganic objects, like in the representation of what he calls the graphic rendering of stone structures. straight line Line 1|2|1| Rigid Lines: Straight Line Kandinsky distinguishes lines based on different formative forces: The forces coming from without which transform the point into a line can be very diverse.

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