New PDF release: C. S. Lewis: A Life

Biography

By Alister E. McGrath

Fifty years after his demise, C. S. Lewis maintains to motivate and fascinate thousands. His legacy is still different and giant. He used to be a towering highbrow determine, a well-liked fiction writer who encouraged a world motion picture franchise world wide of Narnia, and an atheist-turned-Christian thinker.

In C.S. Lewis—A Life, Alister McGrath, prolific writer and revered professor at King’s university of London, paints a definitive portrait of the lifetime of C. S. Lewis. After completely analyzing lately released Lewis correspondence, Alister demanding situations the various formerly held ideals in regards to the specific timing of Lewis’s shift from atheism to theism after which to Christianity. He paints a portrait of an eccentric philosopher who grew to become an inspiring, although reluctant, prophet for our times.

You won’t are looking to leave out this attention-grabbing portrait of an inventive genius who encouraged generations.

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Franz Marc’s blue horses, the savage gods in Georg Heym’s poems ‘War’ and ‘The God of the City’, or the dictatorial Engineer in Georg Kaiser’s play Gas all demand that we look through the familiar surface of reality to discern the forces churning beneath it. The insect image may similarly suggest that, just as Georg Bendemann was truly ‘a devilish human being’, Gregor is truly an insect – disgusting to himself and others, despised, in constant danger of being crushed by his oppressive family and employers.

A young man, already a successful businessman, is writing to a friend in Russia about his engagement. Nothing extraordinary there, though we might wonder about the emotional block that has prevented Georg from breaking the news to his friend until now. Having finished the letter, Georg goes to the back of the flat to show the letter to his old and infirm father. ’ Instead of giving a straight answer, Georg seems to interpret this question as a reproach for neglecting his father by planning to get married.

Kafka and Ernst Weiss on the beach at Marielyst, Denmark, in 1914. is illustrated with a picture of a man tied by his hands and feet to two poles which are being moved so as to tear him apart. If for Kafka the body is capable of redemption through healthy living, it is also the supreme site of punishment. Gregor’s transformation into an insect drastically expresses Kafka’s ambivalence towards his body and towards the body in general. His 50 transformation and his failure to notice it convey the degree to which Gregor is alienated from his own body.

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