Read e-book online Design History: A Students' Handbook PDF
By Hazel Conway
Hazel Conway introduces the scholar new to the topic to various components of layout historical past and indicates many of the ways that it may be studied and a few of its delights and problems. No history wisdom of layout heritage, paintings or structure is thought.
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Additional resources for Design History: A Students' Handbook
The History of Technology The history of technology is important in any study of ceramic production, especially since the Industrial Revolution. The mechanization of many aspects of eighteenth-century pottery production, including the grinding of flint and the mixing of pigments and clays, helped the change from a small-scale, conservative and regionally-oriented industry to a comparatively large-scale productive concern. Improved clay technology, methods of moulding, turning and throwing, combined with new possibilities of decorating on a large scale brought about by the invention of transfer-printing in Liverpool in the early 1750s, were also factors in this respect.
For the nineteenth and twentieth centuries it is possible to add to the range of evidence with trade catalogues, paper patterns, fashion journals and videos. Dress represented in films can also enrich the scope of research. The comparative method of utilizing a balanced combination of visual and written sources would apply to earlier periods in history, although there are clearly difficulties inherent in approaching project work when original texts are in ancient or foreign languages. In these cases, I would recommend that a short period of time or a narrowly defined theme should be tackled.
3 Peter Paul Rubens, Hélène Fourment, c. 1630. In order to gain a thorough understanding of the reasons behind this admiration for the seventeenth century, it is necessary to study painting, literature and philosophy. Descriptions of actual costume can be found in diaries, letters and newspapers of the time. 4 Thomas Gainsborough, Mary, Countess Howe, c. 1765. which were acceptable at this time: pastoral dress and ‘classical’ styles. Some fashionable women tried to capture a spirit of rural innocence by adopting an elegant interpretation of the dresses of shepherdesses and milkmaids.