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Chase Meridian. In the 1970s, a new type of home gaming experience began to develop in the form of computer games. By the 1980s, Spectrum, Amstrad and Commodore’s range of home computing systems supported a rapidly expanding portfolio of games. In 1986, Batman (Ocean) joined other titles drawn from popular culture such as Ghostbusters (Activision, 1985), Alien (Amsoft, 1984) and Superman: The Game (First Star Software, 1985). In one of the opening screenshots, the player is shown the seven pieces of a dismembered ‘Batcraft’ they need to collect.
53 Fig. 10: ‘Rouges’ Gallery’, Batman: The Caped Crusader (Ocean, 1988). Fig. 11: ‘Inventory’, Batman: The Caped Crusader (Ocean, 1988). throughout the levels that enable Batman to move faster (in much the same way that mushrooms affect Mario). To collect each section of the Batcraft, the player must solve an access problem. The solutions include: utilizing the jumping boots, activating a switch by standing on top of a dismembered elephant’s foot, and balancing an S-shaped platform on a dog’s head.
That explore the impact of Batman as a cultural symbol within the DC Universe. The set-up for both of these titles is that Bruce Wayne is presumed dead and the world has to decide what to do without a Batman. The answer they come to is significant: they make another one because the idea of Batman as a beacon of justice exists beyond Bruce Wayne as an individual. A battle for Batman’s cowl ensues with heroes and villains alike competing to become the new Batman. , in which heroes all over the world will take on the Batman ‘brand’ so mortal men can use the ‘idea of Batman’ to fight crime worldwide.