Fernand Khnopff: Portrait of Jeanne Kefer - download pdf or read online


By Michel Draguet

The Belgian artist, illustrator, sculptor, and photographer Fernand Khnopff (1858–1921) grew to become a favored society portraitist within the Eighteen Eighties, utilizing parts that had served him good as an avant-garde Symbolist painter: visible realism and a temper of silence, isolation, and reverie As within the provocative, but hauntingly attractive, Portrait of Jeanne Kéfer that's the concentration of this publication, he usually posed his types leaning opposed to a closed door, pulling down the gap and leading to a meditative, hermetically sealed snapshot. Jeanne Kéfer was once the daughter of a composer-friend of the artist, and Khnopff deftly captures the child’s vulnerability to the surface international within the small gesture of her tiny thumb catching the sting of her bow. The publication areas this portray within the historic context of Khnopff’s instances and social milieu and strains the arrival of Symbolism as a literary and creative circulation. An research of the portrait itself is supported through a beautiful array of comparable work, information, and technical pictures. ultimately, the writer makes use of Khnopff’s photographs as a taking-off element for a broader dialogue of Symbolist paintings. Fernand Khnopff: Portrait of Jeanne Kéfer is a part of the Getty Museum stories on paintings sequence, that's designed to introduce person artistic endeavors or small teams of comparable works to a extensive public with an curiosity within the background of artwork. each one monograph is written by way of a number one student and lines a detailed dialogue of its topic in addition to a close research of the wider historic and cultural context within which the paintings used to be created. desk of Contents a bit lady on the heart of the Avant-Garde generating a Portrait The Portrait in standpoint Notes Acknowledgments concerning the writer Michel Draguet is a professor of recent and modern artwork and director of the heart for learn on René Magritte on the unfastened college of Brussels. he's a greatly released writer, so much lately of the $64000 monograph James Ensor (1999) and Treasures of paintings Nouveau: during the Collections of Anne-Marie Gilbert (1999).

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P o s i n g " j u s t as o n e i s " r a n r a d i c a l l y c o u n t e r t o t h e c o n v e n t i o n s o f p o r t r a i t u r e . W h i s t l e r has c l e a r l y s o u g h t t o m a k e this o p p o s i t i o n the subject o f his w o r k . U s i n g the idea o f " a r r a n g e m e n t , " he questions the d o u b l e nature o f the p o r t r a i t i n order to sublimate i t i n t o a single p r i n c i p l e r e q u i r i n g a spatial d i s t a n c i n g a n d the suspension o f t i m e t h r o u g h t h e artifice o f a theatrical setting, w h i c h moves f r o m the decor to the palette via S y m b o l i s t d e t a i l .

Secret," charcoal on paper, 3 Private collection. Figure 34 Fernand Khnopff, Portrait of Germaine Wiener, ca. 1893. ). 3 F Brussels, Musees rom M a d e m o i s e l l e V a n der H e c h t t o Jeanne Kefer, t h e d e p i c t i o n o f the c h i l d i n K h n o p f f s o e u v r e has e v o l v e d d e c i s i v e l y . T h e a r t i s t has r e d i r e c t e d the representation inherent i n the p o r t r a i t painter's practice i n terms that re­ veal a close p r o x i m i t y t o W h i s t l e r ' s a p p r o a c h i n his p o r t r a i t o f C e c i l y A l e x a n d e r .

The b o n n e t , the hair, and the b o w envelop eyes a n d t h e m o u t h — t h e f e a t u r e s the t h a t , i n t h e i r essence, define being. C o m p a r i s o n w i t h the painted p o r t r a i t e m ­ phasizes the Realist d i m e n s i o n o f the p r e p a r a t o r y d r a w ­ i n g . T h e face a p p e a r s s q u a r e r a n d less p e r f e c t t h a n porcelain i c o n that w o u l d come the later. I n t h e a b s e n c e o f a r c h i v a l d o c u m e n t s , i t is i m p o s ­ s i b l e t o b e m o r e p r e c i s e as t o t h e r e l a t i o n s h i p b e t w e e n t h e p o r t r a i t a n d i t s m o d e l .

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