Download PDF by Claire Vaye Watkins: Gold Fame Citrus: A Novel
By Claire Vaye Watkins
The much-anticipated first novel from a narrative Prize-winning "5 less than 35" fiction writer.
Named a sizzling Fall learn by way of Vogue, Mashable, Vanity reasonable, Pop Sugar, Kirkus, Hello Giggles, and Los Angeles Magazine
In 2012, Claire Vaye Watkins's tale assortment, Battleborn, swept approximately each award for brief fiction. Now this younger author, commonly heralded as a once-in-a-generation expertise, returns with a primary novel that harnesses the sweeping imaginative and prescient and deep center that made her debut so arresting to a love tale set in a devastatingly imagined close to future:
Unrelenting drought has transfigured Southern California right into a surreal, phantasmagoric panorama. With the significant Valley barren, underground aquifer tired, and Sierra snowpack solely depleted, so much "Mojavs," avoided via either armed vigilantes and an detached paperwork from freely crossing borders to lusher areas, have allowed themselves to be evacuated to internment camps. In Los Angeles' Laurel Canyon, younger Mojavs—Luz, as soon as a poster baby for the Bureau of Conservation and its enemies, and Ray, a veteran of the "forever war" grew to become surfer—squat in a starlet's deserted mansion. Holdouts, they subsist on rationed cola and no matter what they could loot, scavenge, and improvise.
The couple's fragile love one way or the other blooms during this arid position, and for the instant, it kind of feels sufficient. but if they move paths with a mysterious baby, the thirst for a greater destiny starts. They head east, a path strewn with hazard: sinkholes and patrolling gurus, bandits and the brutal, omnipresent solar. Ghosting after them are rumors of a visionary dowser—a diviner for water—and his fans, who whispers say have shaped a colony on the fringe of a mysterious sea of dunes.
Immensely relocating, profoundly disquieting, and mind-blowingly unique, Watkins's novel explores the myths we think approximately others and inform approximately ourselves, the double-edged strength of our such a lot loved relationships, and the form of desire in a precarious destiny which may be our own.
From the Hardcover edition.
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Additional resources for Gold Fame Citrus: A Novel
And, which is most to bee pittied, they are commonly the best wits, and purest receptacles of sound knowledge, that are thus corrupted. Whether it be, that they are more eagerly assaulted with vice then others; or whether they doe more easily admit any obuious impression: howeuer it be; fit it is, That all young Trauellers should receiue an Antidot against the infectious Ayre of other Countries. (A3v–A6) Edward Leigh likewise criticises the traveller who returns ‘leavened with the ill Customes and Manners of the Countries they passed through’ (Bv) and Robert Dallington cautions his travelling reader about the cultural hazards of travel: The hazards are two: of the minde, and of the body: that, by the infection of errors; this by the corruption of manners.
Cosmographie, or, the description of the worlde. Astronomie, or, the art of skill, in the course of the starres and planets. Geographie, or, the drawing and proportioning of the earth. Chorographie, or, the demonstration of Cities and Regions. Topographie, or, the protraiture [sic] of particular places. Husbandrie. Nauigation. The Politicall The Ecclesiasticall Literature. Histories. Chronicles. (Meyer B) As Louis B. Wright observed, Meyer’s ‘was not a guidebook but a syllabus of points to be observed.
Importantly, it has little practical utility; it is as idle a pursuit as playgoing, and equally unprofitable if one were to take a pragmatic stance. Yet like the theatre, there was demand for this aesthetic experience. In the final section, I ask how this experience of mind-travelling translates into the realm of the theatre, for it is evident that solitary imaginative rehearsals of reported travels, when experienced from the comfort of one’s room and under cover of darkness, will not necessarily operate in the same manner in the context of a crowded playhouse in broad daylight.