Download e-book for kindle: Great Paintings: The World's Masterpieces Explored and by Karen Hosack Janes


By Karen Hosack Janes

A luxurious, visible guided travel of sixty-six of the world's maximum work starting from works by way of Zhang Zeduan, a twelfth-century chinese language grasp, to trendy masterpieces by means of Rothko and Anselm Kiefer. Great Paintings is ideal for an individual attracted to studying concerning the world's so much noteworthy artworks.

Arranged chronologically, the tale in the back of every one portray is absolutely defined and tested in unmatched intensity. Artists' biographies and contours on ancient and social context discover how landmark work were inspired through what has long gone sooner than and the way they cross directly to motivate what comes after them.

Reading Great Paintings is like being taken round a gallery via a private advisor who enables you to examine paintings—both wide-spread and new—in clean and engaging ways.

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Chaos and panic reign. 6 Michelangelo’s depiction of male figures on the ceiling of the Sistine Chapel shows that he was greatly influenced by the classical marble sculptures of antiquity, such as the Belvedere Torso (below). Signed by Apollonius, a Greek sculptor, little is known of the statue’s origins, but by 1500 it was considered one of the world’s greatest works of art, together with the Apollo Belvedere, and Michelangelo probably made many studies of it. The similarity between the rugged Belvedere Torso and Michelangelo’s powerful, anatomically exact male forms is most apparent in the muscular, seated figures of the ignudi at the sides of the ceiling’s central scenes.

Gold crescents decorate the horses’ reins and appear on the harness straps on their rumps. Diana is the protector of chastity. It was more common for wedding gifts to depict Venus and Mars, the god and goddess of love. 2 TREES We can see that the trees are oaks from the shape of their leaves, some of which would once have been decorated with gold leaf. Uccello made sure that there were no branches below the canopy to obstruct our view of the hunt. Oak groves were sacred to the Roman goddess Diana.

The Baptism of Christ has been a popular subject from the earliest days of Christian art, and many aspects of Piero’s painting can be paralleled in works by other Italian artists of the time. None of them, however, rivaled Piero in creating a scene of such monumental dignity and authority. Nor did any of them give the event such a lovely setting. In the biblical accounts, Jesus is baptized Piero’s majestic powers of design, combined with his extraordinarily sensitive handling of color and light, have made him one of the most revered figures in Renaissance art.

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