Heading Out to Wonderful by Robert Goolrick PDF

Literature

By Robert Goolrick

It's the summer time of 1948 whilst a good-looking, charismatic stranger, Charlie Beale, lately again from the battle in Europe, indicates up within the city of Brownsburg, a sleepy village nestled within the Valley of Virginia. All he has with him are suitcases: one comprises his few possessions, together with a superb set of butcher knives; the opposite is filled with cash. some huge cash. Heading Out to tremendous is a haunting, heart-stopping novel of affection long gone extraordinarily unsuitable in a spot the place as soon as upon a time such issues may possibly ensue.

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127 With the above in mind, I would (once again) wish to stress that the present study takes the post-Yugoslav writings of Dubravka Ugrešic´ as its primary point of departure. In also considering post-1989 novels by four other east European writers (former East Germans Ingo Schulze and Clemens Meyer, the Czech Jáchym Topol, and the Franco-Czech Kundera), I nevertheless wish to underline the broader currency of a ‘literature of the east European ruins’. Although Jancˇar generalizes in his original formulation, I am certainly not attempting to gather all post1989 east European literary production under the skirt of Trümmerliteratur Redux.

These include, inter alia, the role of intellectuals, writers and literature in eastern Europe from the mid-nineteenth century to the present, with particular emphasis on developments post1989; continuity and change in the western reception of east European literature under communism and postcommunism; the literary and cultural space of the second Yugoslavia (1945–92); the Kulturkampf between nationalist and cosmopolitan forces in post-independence Croatia; the wide-ranging extraliterary (and inevitably gender-coloured) Introduction: Exercises in Polysemy 31 attacks on Dubravka Ugrešic´ by (Croatian) government-sponsored media and nationalist intellectuals following the anti-nationalist positions articulated in her essays published in the West as Yugoslavia disintegrated; and finally, Ugrešic´’s ‘voluntary exile’ from Croatia in 1993 and the lasting effects this has had on both her literary production and its reception at ‘home’ and ‘away’.

In the broader post-Yugoslav context, the phenomenon is just as easily exemplified by the 1995 declaration of then Slovenian prime minister, Janez Drnovšek, that his electorate faced a choice ‘between Europe and the Balkans’118 or the 24 Writing Postcommunism persistent Croatian insistence that the country has always been part of Central Europe: ‘What do they mean, Balkans? ’119 Where then, does all this leave me in terms of the nomenclature ‘eastern Europe’? ’120 With regard to ‘eastern Europe’, it is my view that the idea of a post1989 literature of the ruins – of Trümmerliteratur Redux – could function as one such anti-formative model.

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