Download e-book for kindle: Historia de la literatura hispanoamericana 3 by José Miguel Oviedo


By José Miguel Oviedo

Este libro presenta l. a. historia viva y puesta al día de l. a. literatura hispanoamericana. Su información ofrece una panorámica common que aspira a ser equilibrada y lo más completa posible. Al mismo tiempo, José Miguel Oviedo se centra en los autores clave y los textos fundamentales, brindando estudios individuales de cierta extensión sobre estos últimos. A fin de contextualizar las creaciones y los fenómenos estudiados se hacen frecuentes referencias a otras literaturas y formas de expresión artística. El sistema de referencias cruzadas, las bibliografías seleccionadas y el índice analítico ayudarán a quienes deseen profundizar en el tema. El primer volumen abarca ?De los orígenes a los angeles Emancipación?, el segundo comprende ?Del romanticismo al modernismo? y el cuarto está dedicado a ?De Borges al presente?.

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Unity of form might be present in these texts after all, but it would reside not in an ‘organic unity’ but, paradoxically, in diversity and juxtaposition – in plenitude of expression and in the skilful arrangement of disparate and disjunctive literary materials. Just as the sculpture of the medieval mason might frame a saint’s visage alongside the anarchic grotesquerie of the Green Man, so the medieval writer might take equal delight in blending earnest with game, sacred with profane, comedy with tragedy, high style with low.

T. Shepherd, ‘Troilus and Criseyde’, in D. S. ), Chaucer and Chaucerians: Critical Studies in Middle English Literature (London: Thomas Nelson and Sons, 1966, pp. 65–87), pp. 77–81. 7 One of the most widely used text-books in the sixteenth century was Erasmus’s De duplici copia verborum ac rerum, of which there were sixty editions between 1512 and 1536: see T. W. Baldwin, William Shakespeare’s Small Latine and Lesse Greeke, 2 vols (Urbana, IL, 1944), I, 99; II, 176. 8 As You Like It, V. i. 52. 9 Minor Poems, ed.

Moreover, Vincent ‘ordinated’ materials in relation to chapters, books and tituli, whereas Chaucer ‘ordinated’ materials in relation to tales and tellers; both a b entertainment and instruction. Universal History. 8 It is as if Chaucer derived certain principles of order from compilations and from the explanations of ordinatio which accompanied them, principles which he chose to apply in his own way. Moreover, Chaucer and Vincent (among other compilers) shared the principle of the reader’s freedom of choice (lectoris arbitrium).

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