Download PDF by Rob Alexander: How to draw and paint fantasy architecture: from ancient

Painting

By Rob Alexander

Suggestion and guide from a number one delusion illustrator courses paintings scholars who intend to pursue careers illustrating laptop video games, youngsters books, image novels, and different comparable media. This books commencing bankruptcy analyzes conventional architectural shapes that come with arches, columns, towers, vaults, and buttresses. Chapters that stick with follow ideas of lights, shadow, and point of view to the architectural varieties, and speak about methods of constructing floor textures and including dramatic surroundings to illustrations. Readers are then guided via a sequence of tasks of accelerating complexity within which they carry illustrations ruled through delusion castles, palaces, dungeons, and extra. this is complete guide within the strategies required for shooting extraordinary constructions, alien structure, and exchange realities. greater than 250 enlightening colour illustrations.

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Extra info for How to draw and paint fantasy architecture: from ancient citadels and gothic castles to subterranean palaces and floating fortresses

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MATERIAL VARIATION The Vikings employed a wide range of materials, from wood to sod to thatch to wattle and daub, applying them to the construction methods and designs they had developed. There was very little in the way of transportation infrastructure on land, so moving materials any distance became very difficult, leading to a reliance on readily available materials, and, often, the need to build close to fjords and rivers. 37 38 INTRODUCTION TO ARCHITECTURE With their flaring, curved rooflines, low, wide expanses, and near seamless integration with nature, the temples, palaces, and pagodas of Asia encapsulate a look at once both alien and beautiful to Western eyes.

However, it’s not just a matter of painting what was done in the studies in more detail. You have to evaluate what you are doing at each stage of the creative process. Here, the right foreground hill structure was changed to create more of a stepped look to the shadow shapes and allow the ruins to read more clearly, whereas the grasses were painted with cooler, darker colors in order to more clearly emphasize the warm dome in the mid-ground. 64 PICTURE-MAKING TECHNIQUES EXPLORING THE STORY WITHIN THE STORY The emphasis and focus of the painting developed on the previous page has shifted from the dome and pillars to the ruined arch in the mid-ground.

Where possible, structures are nestled carefully into the environment. Artificial lakes or woodlands in temple compounds and palace grounds are created with an artlessness that looks natural and unlabored. This is a feature perhaps as distinctive and defining as the shapes of the roofs for the fantasy artist, for it immediately marks the setting as distinct and different from the European norm, even if the castles are straight out of the Middle Ages or Gothic period. Shibi, a type of architecural ornamentation in the shape of a dolphin’s tail DOMINATED BY THE ROOFS ̃ The roof is the chief feature in almost all Asian structures, a dominating element that strongly dictates much of the layout of the house or temple, and which was emphasized, not downplayed as the Greeks or Romans did.

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