Download e-book for iPad: L'art de la sculpture - Искусство скульптуры by John Plowman


By John Plowman

Искусство скульптуры

20 оригинальных скульптурных проектов, что самое интересное, из простых и доступных материалов, но в необычном применении.
Объекты очень разнообразны: велогонщик, дельфин, выпрыгивающий из воды, осенний пейзаж, группа акробатов...
Цветные пошаговые фотографии и подробные инструкции (знание языка - некритично) позволят любому сблизиться со скульптурным искусством.

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Extra resources for L'art de la sculpture - Искусство скульптуры

Example text

As to give The head of the Christ Child instinctive feeling for the work of art ghostly drawings made are, in fact, quite a great masterpieces to come. arm and hand human in his old age, when number of elements The muscular back The Madonna is Sibyls of the Sistine Ceiling but of the Medici pear, held by nude youths in the as the his a deceptive suggesif w ork had T in. prime determinant of a extreme youth to the work which pencil. foreshadow- the of the Child and the peculiar twist of His in the Medici Chapel (color- herself a prototype not only of certain of the Madonna (figs.

Perhaps Martin Luther would have complain about; and perhaps the Spanish in the South would have gone the of the French. At any way and the beginning of the Lateran Council, rate, dead or alive, the or another from the mighty Ligurian was moment to dominate Michelangelo's the thirty-year-old sculptor was called to life Rome in in one 1505 to 26 ' V 4 / . , 1 i ii X— : i v> 1 - -*M&^i& ~ s ^— u "-;. -- ..... L s i5. c. GIACOMO ROCCHETTI. 1505. Ink, 20% x 13%". design the Pope's artist, calls now State Copy of Michelangelo's design for Museums, tomb on an unprecedented The Rome St.

The lost statue a hole in the wall of San be smashed on the stones below. may possibly have borne some relation to Michel- angelo's ideas for the statues on the second level of the 1505 version of the 17; see We the destruction of the bronze. since the Pope did not grow tion of this colossal sance. and The bronze his David, it Of course as one of the major artistic losses 1 508, to October, 1 5 12, during which the great sculptor by no means lost to sculpture. For at last in fresco the ceiling of he had a chance to try out his ideas on the interrelation of architecture (simulated in this case) (fig.

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