Read e-book online Lone Wolf & Cub, Volume 13 PDF

Comics Graphic Novels

By Kazuo Koike, Goseki Kojima

The hardest copin Edo, now retired, has the opportunity to soak up the killer of a life-time, Ogami him self. yet is he as much as the duty?

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Additional resources for Lone Wolf & Cub, Volume 13

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To conclude, then, the position, color, shape, and framing of a panel are just some of the factors that contribute to its meaning, which it always acquires on several levels simultaneously, as the image within a panel has to be related to sequences of varying length and to other architectural units such as the page or the multi-page. It is this capacity to communicate on several levels simultaneously that has enabled the evolving segment of comics known as graphic novels to construct complex narratives that, while taking up impulses from literary and filmic storytelling, are less bound to linear restrictions.

What Transports! In a sense, the dreamer’s body on the page acts as a proxy for readers’ bodies. The hypnotist’s movements manipulate readers’ bodies as well as the dreamer’s, and just as The Great Svengali transports the dreamer across the page, so too do the bodies on the comics pages transport readers. It is now time to complicate this account a bit. There is a distinction to be made between the bodies in the storyworld and the bodies on the page, and the verb “to transport” means more than just moving a body in space and time.

Ewert, Jeanne (2000). 1: 87–103. Print. Ferenz, Volker (2005). 2: 133–59. Print. Fludernik, Monika (1996). Towards a “Natural” Narratology. London: Routledge. Print. Frahm, Ole (2010). Die Sprache des Comics. Hamburg: Philo Fine Arts. Gaiman, Neil (2010). The Sandman: Preludes & Nocturnes. Vol. 1. Art by Sam Kieth, Mike Dringenberg, and Malcolm Jones III. Colors by Daniel Vozzo. Lettered by Todd Klein. Covers by Dave McKean. Originally published in single magazine form as The Sandman #1–8, 1988–1989.

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