Download e-book for iPad: L’œuvre d’art à l’époque de sa reproductibilité technique by Walter Benjamin, Frédéric Joly, Antoine de Baecque


By Walter Benjamin, Frédéric Joly, Antoine de Baecque

Penser, c'est ressentir. Et c'est à une expérience intime, intuitive, des sens et des formes, de l'espace et du monde que nous invite Walter Benjamin dans cet essai de 1939 qui reste son texte le plus populaire. Le philosophe y montre remark l'invention de l. a. photographie et surtout celle du cinéma, en rendant attainable los angeles replica tremendous des œuvres d'art, ont précipité le « déclin de l'aura », formule désormais célèbre pour un idea devenu relevant dans l'histoire de l'art et los angeles philosophie esthétique, l'aura d'une œuvre étant l'effet de sa présence distinct, liée à un lieu précis et inscrite dans l'histoire. À travers cette crise esthétique, c'est de notre société qu'il nous parle, une société où chacun a le droit d'être un héros et de peser sur l. a. vie de l. a. cité, mais une société qui doit aussi réinventer l'espace intime, le rapport au passé et au futur - et même l'authenticité.

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12 For example, in a less hallucinatory manner, Luca Signorelli’s Last Judgment for the Orvieto Cathedral of 1504,13 and a more dramatic and complex revelation, Michelangelo’s Last Judgment in the Sistine Chapel of 1543,14 both allude to Dante’s entrance to Hell. In both frescoes, Charon ferries the damned across the river Acheron to be judged on the other shore by Minos. In Michelangelo’s image, Charon whacks the sinners with his oar just as Dante describes, while Minos, in both Signorelli’s and Michelangelo’s works, winds his tail around his body to designate the given sinner’s place in Hell, again according to Dante’s description.

The numerous images of Andromeda project an appeal to the senses, an interpretation of subjects together with an exploration of beauty. Andromeda embodies the essence of purity as well as of temptress. This ambiguity of character alludes to both Greek legend and biblical tradition alike, which represent woman as the first cause of evil and death. ” Thus, female’s moral inferiority represents the state of nature. qxd 18 1/16/2007 12:33 PM Page 18 INTRODUCTION mythology in the early centuries of the Christian era.

In late 1576, Francesco I entrusts the project to Federico Zuccaro, an assistant to Vasari. 39 Ten years later, this experience would prove invaluable for Zuccaro, when he was commissioned to illustrate Dante’s Divine Comedy. 40 This is a different reception from the one created by Vasari and experienced by the Florentines in the previous unveilings of Marcovaldo’s mosaics in Florence and Michelangelo’s Last Judgment in Rome. In composing the program for the decoration of the Florentine dome, Vasari and Borghini are both familiar with the historical event of the unveiling of the cupola of the Florentine Baptistery in 1300 (Figs.

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