Download PDF by Jeffrey Louis Decker: Made in America: Self-Styled Success from Horatio Alger to
By Jeffrey Louis Decker
The writer analyzes the autobiographical expressions of recognized marketers, from Andrew Carnegie to Ross Perot, along extra marginal ones, akin to Oprah Winfrey and Arnold Schwarzenegger, to check how mainstream society was once and is formed by way of the cultures of subordinate teams. He seems on the hyperlink among self-making and nation-building and divulges the origins of a chronic fantasy of the "American dream" .
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Additional info for Made in America: Self-Styled Success from Horatio Alger to Oprah Winfrey
He adds that it is “shortsighted” to seek cheap labor by welcoming “low grade” immigrants to our shores. ”25 In The Iron Puddler, Davis begins from the assumption that “racial characteristics do not change” and argues that, while some races have “good traits” which will help “buil[d] up” America, others have “swinish traits” ﬁt only to “destroy[ing]” the nation (28). He exploits the metaphor of iron puddling in his autobiography to develop his racist argument for denying immigration to lesser breeds: 12 Class Mobility Some races are pig-iron; Hottentots and Bushmen are pig-iron.
McChesney solves her sociological problems,”29 he was decidedly less enthusiastic about Emma’s resistance to matrimony. In the December 1912 issue of American Magazine, an advertisement for one of Ferber’s “Emma McChesney” stories trumpeted: “In the heat of his [presidential] campaign, Colonel Roosevelt wrote a characteristic letter to Miss Ferber, part protest, part appeal and part command that Emma McChesney get married at once! ”30 Ferber was as strong-willed as her ﬁctional heroine. In advertising the upcoming “Emma McChesney” stories, the editor of American Magazine reluctantly informed his readers: “Emma McChesney .
13 Even when, as in a later Alger story titled Mark, the Matchboy (1869), Mickey returns and is reformed, his rise to the top is cut short. ”15 The tendency to leave “whiteness,” as a racial category, unmarked in our reading of standard narratives of upward mobility has contributed to its transparency and normative power. Yet, in Alger’s juvenile stories, new immigrants are far less likely to receive the divinity of moral luck. In his Autobiography, young Andrew Carnegie must shed his ethnic identity before he enters the order of the self-made man.