Download e-book for iPad: Masters of Art: J. M. W. Turner by Delphi Classics

Art

By Delphi Classics

This is often the 5th quantity of a brand new sequence of guides via Delphi Classics, the best-selling writer of classical works. a primary of its variety in electronic print, the ‘Masters of Art’ sequence permits Kindle readers to discover the works of the world’s maximum artists in complete element. This quantity provides hundreds and hundreds of oil and watercolour work of Britain's such a lot celebrated artist J. M. W. Turner. For all paintings fans, this attractive assortment offers a stunning ceremonial dinner of pictures by way of the nice Romantic Master.

Features:
* over 360 oil work, listed and organized in chronological order
* a range of over one hundred ninety watercolours, listed and organized in chronological order
* distinctive ‘Highlights’ part, with concise introductions to the masterpieces, giving worthwhile contextual information
* find out about the historical past of 'The scuffling with Temeraire' and different well-known works in transparent, yet scholarly detail.
* attractive 'detail' photos, permitting you to 'zoom in' and discover Turner's most renowned paintings
* quite a few pictures with regards to Turner’s lifestyles, locations and works
* know about the nice artist's existence in William Cosmo Monkhouse's recognized biography
* hundreds and hundreds of pictures in attractive color - hugely advised for Kindle hearth, iPhone and iPad clients, or as a worthy reference software on conventional Kindles

Please stopover at www.delphiclassics.com to browse our variety of e-Art titles.

CONTENTS:

The Highlights
FISHERMEN AT SEA
BUTTERMERE LAKE, WITH a part of CROMACKWATER, A SHOWER
SELF PORTRAIT, 1799
THE FALL OF AN AVALANCHE within the GRISONS
SNOW typhoon: HANNIBAL AND HIS military CROSSING THE ALPS
BONNEVILLE, SAVOY WITH MONT BLANC
THE SHIPWRECK
DIDO construction CARTHAGE
THE BURNING OF the homes OF LORDS AND COMMONS
ULYSSES DERIDING POLYPHEMUS
PEACE — BURIAL AT SEA
THE scuffling with TEMERAIRE
SHADE AND DARKNESS - THE night OF THE DELUGE
THE SLAVE SHIP
RAIN, STEAM AND pace - the nice WESTERN RAILWAY
SNOWSTORM - STEAM-BOAT OFF A HARBOUR’S MOUTH
LANDSCAPE WITH far away RIVER AND BAY
A catastrophe AT SEA
NORHAM citadel SUNRISE

The Oil Paintings
THE OIL PAINTINGS
ALPHABETICAL record OF OIL PAINTINGS

The Watercolour Paintings
THE WATERCOLOUR PAINTINGS
ALPHABETICAL record OF WATERCOLOURS

The Biography
TURNER by way of William Cosmo Monkhouse

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Extra info for Masters of Art: J. M. W. Turner

Sample text

Conger Goodyear, 58 in Motion). 1912. Oil on canvas, 35 3 /4X43 3 /e" New York Balla: Rhythm of the Violinist. (1912). Oil on canvas, 20V2X29V2". Collection Eric Estorick, London GIACOMO BALLA When the painters in Milan were rushing to complete exhibition, Balla in Rome was ment. Not of a nature to did not show quietly evolving his make hasty changes in then he moved to describe Bernheim-Jeune catalogue. in the direction of the others; dog on a leash is probably the painting such a delightful pattern of rhythmic motions.

22 These paintings of Carra, Russolo, and Boccioni of Art" in May 1911, showed the public invective and theory. fully undertake It at the "Free Exhibition that Futurist painting new problems of expression. Yet to the eyes of a schooled in the recent art of Paris, the attempts were Ardengo set Soffici, painter upon by the tine periodical to more critical and Futurists. 23 tually bring Soffici was more than demonstrated, moreover, that painting could success- critic, damned La Voce, on the his colleague it was not only did fruitful: to the support of Futurism, judgments of man well unsuccessful.

Russolo was careful to illustrate literally some Futurist statements: the horse with multiple legs, the horse appearing on the cheek of the important woman, etc. But more the free, dream-like association that relates the composition of is more the painting to a process of thought than to a process of vision. It is one more aspect of painting as a state of mind. The exhibition in Paris would mark the first appearance of Severini with the group, and he too put forth a special effort. In his quiet contact with all of the continued in his first own new way he had made tendencies developing in French painting, yet had direction.

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