Robin Netherton, Gale R. Owen-Crocker's Medieval Clothing and Textiles 2 PDF
By Robin Netherton, Gale R. Owen-Crocker
Ancient gown and textiles, regularly a subject of well known curiosity, has lately develop into a tutorial topic in its personal correct, transcending conventional style limitations. This annual magazine comprises in-depth stories from quite a few disciplines in addition to cross-genre scholarship, representing such fields as social historical past, economics, heritage of options and expertise, artwork historical past, archaeology, literature, and language. The contents hide a wide geographical scope and a number of sessions from the early center a while to the Renaissance.Papers during this most up-to-date quantity speak about garments descriptions in an early Irish poem on the subject of archaeological reveals; the Latin inscription embroidered at the Bayeux Tapestry; clothmaking in twelfth-century French romances; medieval Paris as a world cloth industry; the price of sartorial extra in England as attested through sumptuary legislation and satire; fabric cleansing options at a German convent within the 15th century; using jewelled animal pelts as type components within the Renaissance; and the social value of the embroidered jacket in early smooth England. additionally incorporated are studies of contemporary books on gown and cloth topics.ROBIN NETHERTON's study specializes in medieval Western eu garments and its interpretation by means of artists and historians; GALE R. OWEN-CROCKER is Professor of Anglo-Saxon tradition, The college of Manchester. Her latest books are costume in Anglo-Saxon England (2004), and King Harold II and the Bayeux Tapestry (2005).
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Extra info for Medieval Clothing and Textiles 2
147 Wincott Heckett, Viking Age Headcoverings, 106–8; Wincott Hecket; “Textiles, Cordage, Basketry,” 749–53. 148 Frances Wood, The Silk Road: Two Thousand Years in the Heart of Asia (London: British Library, 2004), 30. 149 Meehan, The Book of Kells, fig. 54. 25 Niamh Whitfield England from the seventh century onward, including silk,150 and the same thing probably happened in contemporary Ireland. In any event, silk clearly was worn in the Hiberno-Viking period, when “The Wooing of Becfhola” seems to have been composed.
161 Owen-Crocker, Dress in Anglo-Saxon England, 109. 162 Elizabeth Wincott Heckett, pers. comm. 163 M. Bhreathnach, “Tochmarc Becfhola,” 76 and 80 §12. 164 Hillers, “Topos,” 26–27. 165 FitzGerald, “Insular Dress,” 258, fig. 22. 167 Although pieces of woollen textiles are sometimes found in excavations in Ireland, as far as I am aware there is no clear evidence as yet of multi-coloured fabrics, but early medieval Irish art generally is very sophisticated, and there is no reason to suppose that woven textiles did not sometimes display colour combinations.
3, lower right). Perhaps this is how one should imagine the inar. Two interesting pieces of information are given about Flann’s inar. First, it is silken (sirecdai). This is not necessarily wholly unrealistic. 142 Reference has already been made to the silk threads used to embroider textiles discovered in ninth-century context with Irish connections at Llan-gors crannog in Wales, and also to silken woven bands discovered during excavations at Dublin, but other silk items have also been discovered in Ireland.