Download e-book for kindle: Mind-Travelling and Voyage Drama in Early Modern England by David McInnis
By David McInnis
Early glossy playgoers have been avid shoppers of voyage drama. once they entered the playhouse they engaged with the avid gamers in a collaborative kind of "mind-travelling," and the end result was once an adventure of stage-travel that was once predicated on excitement. This ebook investigates the pleasures of vicarious trip in early smooth England, treating playgoing as a part of a enjoying process, in which innovative paintings is sent around the a variety of individuals: playwright, participant, the actual atmosphere, applied sciences of the level, and emphatically during this examine, the playgoer. Drawing on quite a lot of drama from around the complete 17th century, together with works by way of Marlowe, Heywood, Jonson, Brome, Davenant, Dryden and Behn, it situates voyage drama in its old and highbrow context among the person act of analyzing in early smooth England and the communal act of contemporary sightseeing.
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Additional resources for Mind-Travelling and Voyage Drama in Early Modern England (Early Modern Literature in History)
And, which is most to bee pittied, they are commonly the best wits, and purest receptacles of sound knowledge, that are thus corrupted. Whether it be, that they are more eagerly assaulted with vice then others; or whether they doe more easily admit any obuious impression: howeuer it be; fit it is, That all young Trauellers should receiue an Antidot against the infectious Ayre of other Countries. (A3v–A6) Edward Leigh likewise criticises the traveller who returns ‘leavened with the ill Customes and Manners of the Countries they passed through’ (Bv) and Robert Dallington cautions his travelling reader about the cultural hazards of travel: The hazards are two: of the minde, and of the body: that, by the infection of errors; this by the corruption of manners.
Cosmographie, or, the description of the worlde. Astronomie, or, the art of skill, in the course of the starres and planets. Geographie, or, the drawing and proportioning of the earth. Chorographie, or, the demonstration of Cities and Regions. Topographie, or, the protraiture [sic] of particular places. Husbandrie. Nauigation. The Politicall The Ecclesiasticall Literature. Histories. Chronicles. (Meyer B) As Louis B. Wright observed, Meyer’s ‘was not a guidebook but a syllabus of points to be observed.
Importantly, it has little practical utility; it is as idle a pursuit as playgoing, and equally unprofitable if one were to take a pragmatic stance. Yet like the theatre, there was demand for this aesthetic experience. In the final section, I ask how this experience of mind-travelling translates into the realm of the theatre, for it is evident that solitary imaginative rehearsals of reported travels, when experienced from the comfort of one’s room and under cover of darkness, will not necessarily operate in the same manner in the context of a crowded playhouse in broad daylight.