Download PDF by Bill Banfield: Musical Landscapes in Color: Conversations with Black


By Bill Banfield

A sequel to the award-winning The Black Composer Speaks (Scarecrow Press, 1978), this exploration of the inventive international of African American composers strains the lives and careers of forty proficient contributors and, of their personal phrases, offers views on an international that has been sluggish to acknowledge their amazing contributions to classical song. every one bankruptcy is dedicated to a person composer, who discusses his or her musical education, compositional innovations and elegance, and the composer's own philosophy as mirrored in his or her track. a particular record of compositions for every composer is integrated, in addition to a photograph and pattern of the composer's _hand._

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Extra info for Musical Landscapes in Color: Conversations with Black American Composers

Sample text

Look at Rome. Civilizations have always come and gone, and we are going down too, but nobody is explaining that. I think anything that lifts the human spirit is important and that holds for Black History Month celebrations. The real tragedy is that we have never seen a move beyond that. That is the real tragedy. Each generation thinks they are going to move into the mainstream, and they don’t. That is what we mean by racism. That is a pathological sickness. It hasn’t changed much. Chester Pierce, a psychiatrist at the Harvard Medical School, talks about racism as a pathological illness.

He was the Rockefeller Foundation Composer in Residence with tfre Atlanta Symphony under Robert Shaw in 1%9-7 1. Other awards include Danforth, Mellon, American Music Center, MacDowll Colony, and Yaddo Fellowships, and grants from the From Foundation, Berlrshire Music Center, and the National Endowment of the Arts. Anderson’s works have been mmded by Nonesuch and Columbia and have been performed by various ensembles and orchestras throughout the country, including the London Philharmonic (Squares for Orchestru).

I try to express myself through my music, and I would like it always to be genuinely expressive. I’d like my music always to have a timelessness, a spirituality to it, something that can last and not be limited to a style, trend, or ideology. Thomas J. J. Anderson is recognized as one of the leading composers of his generation and as one of the most influential and innovative voices in American composition. Dr. Anderson works in various combinations, from orchestral to solo piano, chamber to soprano, and children’s toys to chromatic pitch pipe.

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