Download e-book for iPad: Nuvisavik: The Place Where We Weave by Maria Von Finckenstein
By Maria Von Finckenstein
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Extra resources for Nuvisavik: The Place Where We Weave
17 In 1897 narwhals were hunted for their long, twisted ivory tusk. Walrus was taken if possible, the skin traded for the use in belting in England, and as Wakeham reports, the oil "is usually mixed with the whale oil and sold as such. -Oct. Caribou hunt; gathering lichen Big tent; two layers of skins Two to three families Caribou hunt on food Tent on mainland Several families One or more families Winter Nov. -Dec. -Sept. Arctic char fishing; caribou hunt; walrus hunt; bird hunt Tents Men with sled go on ice Frequent visits of camps by dog team Five to six individuals Young men walk inland for caribou Source: Based on descriptionis in Boas 1885, 1888.
Also, the elders' residences need an area outside where elders could sit around and talk during the spring and summer because today they have no space outside their buildings. These two items I want to see, for people need a good healthy environment in which their attitude towards other people will turn positive. 38 CATHLEEN KNOTSCH NOTES 1 See Deborah Hickman's contribution in this publication regarding the history and nature of tapestry production. 2 Elaiyah Keenainak, interview, October 7, 1993, tape la, CMC.
85-86/048111, file TA~5oo-8-i-n. 56 Meeka Arnaqaq, a tapestry artist from 1970 to I97Z, is a respected elder in and outside the community of Panniqtuuq. She is committed to contributing to the improvement of life and health in her own and other Inuit communities. She serves as a board member on the committees of several non-profit organizations and is also a respected leader of healing circles. 57 Meeka Arnaqaq, interview, May 27, zooi, tape xa. CMC. SOURCES Interviews Meeka Arnaqaq. May 27, zooi.