Of Golden Manes and Silvery Faces: The Partheneion 1 of - download pdf or read online

Ancient Classical

By Kyriakos Tsantsanoglou

Ever because the papyrus containing Alcman´s Partheneion was once first released in 1863, classical students have strived to unravel its enigma. This ebook offers a verse-by-verse observation to the textual content with a few new proposals in keeping with a close inspection of the papyrus. The Scholia to the Partheneion, the place quite a few new readings are made, vastly elucidate the composition of the refrain, the variety of its individuals, the identification of the protagonist ladies, the social context, in addition to questions of functionality. a brand new version of the Partheneion and the Scholia is out there on the finish, with a translation of the poem.

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Righteous (honourable), resourceful (ingenious, inventive), and brave (courageous, valiant) – qualities stereotypically used to characterize outstanding young men. , κράτῡνε γ]άρ; or, possibly, a more poetic usage, such as ἄνασσε γ]άρ. Perhaps the likeliest supplement might still be κράτησε γ]άρ, in the sense ‘for (in their short life) they were all ruled by’. -Apollodorus, Clem. Protr. 2 (cf. Arnobius, Adv. Gent. 12) and Schol. , Schol. Pind. Ol. 78, Schol. Il. 581-6, Schol. Eur. Or. 457. By name or not, Heracles appears in the next stanza (see below on 27), and the involvement of the Dioscuri in the myth is not unexpected, since all sources agree that, after the killing of the Hippocoontidae, Heracles restored Tyndareos and his family to the kingship of Sparta.

32 Therefore, I settled for a more general designation, such as ἡμισιαν, whether ἡμισι͜ᾶν (gen. ) or ἡμισί͜αν (acc. ); cf. ). After the demigoddesses and the Nereids, a third group of female divinities of marriageable age, Χάριτες, also ought not to be desired by mortals. , by Page). However, the popular wit is manifest in this instance: ‘Do not aspire to have the Graces minister to your homes. ’ 22–35 25 ]τάτοι ]τ̣α δαίμων ]ι φίλοις ]ωκε δῶρα ]γαρέον ]ώλεσ᾽ ἥβα 31 Hsch. ν 416 Νηρεύς· θαλάσσιος δαίμων.

Ol. 14 αἰνήσαις ἓ καὶ υἱόν), and the high horizontal is a hyphen indicating the synecphonesis. Accordingly, I would publish this as: ὁρῶ ϝὲ ͜ὥτ᾽ ἄλιον. ‘It is her that I see like the sun’; Agido, that is, and no one else. One might think that, given the nocturnal scene and the female subject, the most relevant comparison would have been with the moon (fem. σελάνα, μήνα), as is usually done by other poets. However, the comparison with the sun is one of excess, since nothing in human experience can outshine the sun.

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