Download e-book for iPad: Painting Course by Ronald Pearsall


By Ronald Pearsall

Contents: Drawing Watercolour, Gouache and Tempera Pastel and Acrylic Oil portray

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Even in a still life it is sometimes helpful to put in an eye-line, and insert vanishing points. There is nothing more rewarding than working away through your own personal drawing problem, but here are some tips to make it easier. Figure Drawing It is traditional in old-fashioned teach-yourself books to emphasize that beneath clothing is a nude and beneath the nude is a skeleton, not to mention muscles. There is nothing more offputting than anatomy. As we are not going to draw skeletons, we can take it as read that they are there and influence the shape and movements of the body.

The torso and legs of an animal within a square - well illustrated in this drawing of a horse. 60 draw than human beings because they of a piece and have a hmited repertoire of actions. For example, cows are either standing up or lying down. They do not lie on their backs, or have one leg in the air, unless there is something wrong with them. The cow is an ideal animal subject for when it moves it moves very slowly and it is chunky and compact. It is easy to relate one shape to another, and as the legs are relatively short it is easier to get them in proportion, whereas a horse has long legs, with consequent difficulty in getting them the right length.

In life drawing, a common hand and wrist, and even great artists can come unstuck. In portraits, you may have a problem in preventing the subject looking cross-eyed. Each of us has a particular area which we find fraught with difficulty, even if there is no sensible reason why this should be so. However, you must persevere and try to crack it. If a hand looks like a melon, rub it out and start again, though it may be that you have already gone over it a dozen times and the lines and indentations are beyond redemption.

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